Why is titanic a good movie

The ship had advanced safety features, but there were not enough lifeboats to accommodate all of those aboard. Only 1, people can be carried in lifeboats. Four days into the crossing and about miles km south of Newfoundland, she hit an iceberg at pm ship's time. The glancing collision caused Titanic's hull plates to buckle inwards along her starboard side and opened five of her sixteen watertight compartments to the sea; the ship gradually filled with water. Meanwhile, passengers and some crew members were evacuated in lifeboats, many of which were launched only partly loaded.

By AM, the giant ship broke apart and foundered, with over people still aboard. Just under two hours after the sinking, the Cunard liner RMS Carpathia arrived and brought aboard about survivors. The famous British ship that was designed to be unsinkable, but it finally sank on 15 April after colliding with an iceberg during its long trip from Southampton, UK to New York City, US.

About 1, people died, and the largest ship made at the time led to one of the biggest disasters in modern history. Rose Had the Life Everyone Dreams Of In the beginning of the Titanic movie, we see Rose as an old woman living what appears to be a simple yet good life. Titanic Has a Wide Emotional Range When people watch a movie, it is important that they are touched by it.

The Story of the Titanic Is Pretty Accurate Some people love history, and some find it boring, so for those that do nto want to do any research on what happened to the RMS Titanic , the movie tells it pretty accurately.

Even those who sneer at its sappy central romance and occasionally ham-fisted acting hello Billy Zane , have to admit that Titanic looks suitably spectacular from start to finish. While Leo brought the youthful charm, Winslet brought the class with a star-making performance which, unlike her co-star, was recognised with an Oscar nomination.

Then only 20 years old, Winslet imbues what is essentially a poor little rich girl character with a steely determination and genuine heart which ensured audiences cared about and believed in both her romance and her overall fate. The old couple in bed waiting to die, the mother comforting her kids as the ship goes down, the violinists deciding to play on for one last song. Inspired by the Celtic New Age of Enya — who was initially approached to compose the soundtrack by James Cameron — the late composer produced a powerful and emotive score which perfectly complemented its surrounding tragic drama.

It is love that exceeds the deserts of the beloved. What I can tell you, risking puns, is that it swept me off my feet almost from the get-go, a grand epic romance-disaster that reminded me, in the middle of my overstuffed-with-movies life, of what we mean when we talk about the power of cinema. It has room enough for a slightly campy hand-to-window moment in a steamed-up car, a comedic routine involving a fire axe and a pair of handcuffs, and a touchingly authentic scene of sacrifice on a bit of floating wreckage in the icy Atlantic.

But to me, these are minor matters. The film is either a masterpiece, or something very close. Titanic is two movies stitched together: a swoony teenage fantasy for the ages, and a massive disaster movie that rivals any disaster movie to come out of Hollywood either before or since.

The lengthy runtime makes perfect sense by this rubric, and you can see the seam where the movie pivots from one to the other, almost exactly at the halfway mark. I fell hard for the romance. It fulfills the human desire, as Ebert put it, to be cherished, the experience of having someone look at you as if you fill their whole field of vision and spill over the edges. Those are good things to want and better things to experience, but as we age, time usually moderates these sorts of desires.

Watching Titanic , they all come roaring back. Titanic leans hard into its dreams and, for my money, succeeds. I watched it for the first time at age 34, but I felt 14 again. Nestled into my theater seat, clutching a forgotten bag of Skittles, the pieces at last fell into place. I finally understood why my peers were so dedicated to Leonardo DiCaprio.

I also understood why Titanic launched Winslet into stardom. In an over-the-top role, she was equal parts heroine, rebel, and action star all at once, and her laugh was infectious. Finally, I understood why so many people went back again and again to see the movie. Titanic came out just as the Internet was starting to rise up and merge into the ocean of our lives, and though, at that point, most of the hate directed at the movie was conversational and anecdotal, in spirit it was computer-viral.

It was about fragments of resentment banding together and organizing themselves into a cult, a movement, an anti-fan club. What gave the movement its motivating force? What made the fragments band together like angry iron filings? It was a movie that found love in the machine, even as the machine was destroyed. No wonder the haters hated it. Their real identification was with the machine.

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